Unholy Bass Tab

Song: UNHOLY
Artist: KISS
Album: REVENGE
--------------------

Transcribed by Emil Ortenmark, kfemil@telia.com

Tuned down 1/2-step

Comments: A kick-ass song. Perhaps a little out of character for KISS
but perfectly in line with Gene's demon perona. Dig how Gene mostly
doubles the guitars but takes it two octaves below at times to add
some serious weight to this track.

Key:
/    = slide up
\    = slide down
b    = bend (whole step)
b^   = bend (1/2 step)
b^^  = bend (1 1/2 steps)
pb   = pre-bend
r    = release-bend
t    = tap with righthand finger
h    = hammer-on
p    = pull-off
~    = Vibrato
*    = Natural Harmonic
#(#) = Trill
**   = Artificial Harmonic
x    = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
(\)  = Dive w\bar
(/)  = Release w\bar
Tp   = Tap w\plectrum

Rhythm Fig. 1a

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2/3-----2/3-----------2/3-----2/3-------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--1--1-------------------1--1-------------------|
Eb|--------1--0----1--0--1--------------1--0--1----|

Rhythm Fig. 1b

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--------------------0-----0-/5----3-------------|
Eb|--2/3-----2/3----------------------------1------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|----1-/6----5----4------------------------------|

Rhythm Fig. 1c

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2/3-----2/3---3--3--3--2/3-----2/3---3--3--0--|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--1--1--1--1--1--1--1-----1--1------------------|
Eb|-----------------------1--------1--0----1--0--1-|

Rhythm Fig. 1d

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2/3-3--3--2/3-3--3--3--3----------------------|
     < - - - - - 2x - - - - - >

Gb|------------------------------------------------|
Db|-------------------------------3----/5----2--3--|
Ab|--1--1-------------------1--1-----1-------------|
Eb|--------1--0----1--0--1-------------------------|

Rhythm Fig. 1e

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2/3-----2/3-----------2/3-----2/3--------/----|

Gb|------------------------------------------------|
Db|-------------------------------3--2-------2--3--|
Ab|--1--1-------------------1--1----------1--------|
Eb|--------1--0----1--0--1-------------------------|

Rhythm Fig. 2a

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--------------------3----3--2--0--0--0-/6--5----|
Eb|--2/3-----2/3-----------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|----5--5--5--5--5--5--5----5--5--3/-5----3\-----|
Eb|------------------------------------------------|

Rhythm Fig. 2b

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--------------------3----3--2--0--0--0-/6--5----|
Eb|--2/3-----2/3-----------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|----5--5--5--5----3-----------------------------|
Eb|------------------------------------------------|

Rhythm Fig. 2c

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--------------------3----3--2--0--0--0-/6--5----|
Eb|--2/3-----2/3-----------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|----5--5--5--5--5--5--5----5--5--3/-5-----------|
Eb|-----------------------------------------2/-----|

Rhythm Fig. 3a

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--0----0----0----0-----0----0----0----0---------|
Eb|------------------------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--5--0--3--5----0--3--5--------3----2----1------|
Eb|--------------------------1---------------------|

Rhythm Fig. 3b

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--0----0----0----0-----0----0----0--3--2--------|
Eb|------------------------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--5--0--3--5----0--3--5--------3----2----1------|
Eb|--------------------------1---------------------|

Rhythm Fig. 3c

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--0----0----0----0-----0----0----0----0---------|
Eb|------------------------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--5--0--3--5----0--3--5-------------------------|
Eb|--------------------------1---------------------|

Rhythm Fig. 3d

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--0----0----0----0-----0----0----0----0---------|
Eb|------------------------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--5--0--3--5----0--3--5--------3---------2/-----|
Eb|--------------------------1---------1-----------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--------15----------14--------------------------|
Eb|--13----------13--------------------------------|

Rhythm Fig. 4

Gb|------------------------------------------------|
Db|------------------------------------5--4--------|
Ab|------------------------------------------------|
Eb|--0---/5----3--0----0--5----3--0----------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|----------------------------3----2----1---------|
Eb|--0---/5----3--0----0--1------------------------|

Rhythm Fig. 5

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--0---------0----------3----2----1----0---------|
Eb|-------0---------1------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|-------0---------3-----2----1----0--------------|
Eb|--0---------1-------------------------0---------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--1----2----------------------------------------|

Rhythm Fig. 6

Gb|------------------------------------------------|
Db|----------------------------10----9----8--------|
Ab|-------3----2----1/----8------------------------|
Eb|--1---------------------------------------------|

Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--5------------5\-------------------------------|

Bass Tabs
Title	Unholy
Artist	KISS
Tablature Type	ASCII Tab
YouTube ID	kfmrX_WlM2w

Interactive Bass Tab Guide

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Use these buttons to control the digital tab player.

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How to Read Bass Tab: A Beginner's Guide

1. Understanding the Basics

a. Strings:

Bass tab consists of horizontal lines representing the strings of the bass guitar. The lowest-pitched string (usually the E string) is at the bottom, and the highest-pitched string (usually the G string) is at the top.

b. Numbers:

Numbers on the lines indicate which fret to play on a specific string. For example, if you see "3" on the E string, it means you should press down the third fret on the lowest string.

2. Reading Bass Tab Example

In this tab:

Play the note on the 1st fret of the E string.
Play the open E string.
Play the 3rd fret on the A string.
Play the 1st fret on the A string.

        G|-----------------|
        D|-----------------|
        A|---------3-------|
        E|---1-1---1---3---|

3. Playing Techniques

a. Hammer-ons and Pull-offs:

Hammer-ons are represented by an "h" (e.g., 5h7 means play the 5th fret and hammer onto the 7th fret). Pull-offs are represented by a "p" (e.g., 7p5 means play the 7th fret and pull off to the 5th fret).

b. Slides:

Slides are often indicated by an "/" or "\\" between two numbers (e.g., 5/7 means slide from the 5th fret to the 7th fret).

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