Song: I STOLE YOUR LOVE
Artist: KISS
Album: LOVE GUN
--------------------
Transcribed by Emil Ortenmark,
kfemil@telia.com
Tuned down 1/2-step
Key:
/ = slide up
\ = slide down
b = bend (whole step)
b^ = bend (1/2 step)
b^^ = bend (1 1/2 steps)
pb = pre-bend
r = release-bend
t = tap with righthand finger
h = hammer-on
p = pull-off
~ = Vibrato
* = Natural Harmonic
#(#) = Trill
x = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
Tp = Tap w\plectrum
Rhythm Fig. 1
Gb|--------------------------------------------------|
Db|--------------------------------------------------|
Ab|--4------------------4----------------------------|
Eb|--------------------------------------------------|
Gb|--------------------------------------------------|
Db|--------------------------------------------------|
Ab|--4----4----4----4----4----4----4----4------------|
Eb|--------------------------------------------------|
Rhythm Fig. 2
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----------------------|
Db|-------------6---------------6--------------------|
Ab|--4-----------------------------0------2----------|
Eb|--------------------------------------------------|
Rhythm Fig. 3
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----4-----------------|
Db|-------------6---------------6---------2----------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Rhythm Fig. 4
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----4\----------------|
Db|-------------6---------------6--------------------|
Ab|--4------------------------------------2----------|
Eb|--------------------------------------------------|
Rhythm Fig. 5
Gb|--------------------------------------------------|
Db|--2--------4------------------4-------------------|
Ab|---------------------2----------------------------|
Eb|--------------------------------------------------|
Rhythm Fig. 6
Gb|--------------------------------------------------|
Db|----------------------------------------------11\-|
Ab|--0---0--0--0--0---0--2---2--2--2---2-2--4--------|
Eb|--------------------------------------------------|
Rhythm Fig. 7
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
< - - - - - - - - - - - 2x - - - - - - - - - - >
Gb|--------------------------------------------------|
Db|--------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--2--2--2--2--2--2--2--2--|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Rhythm Fig. 8
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Gb|--------------------------------------------------|
Db|--------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--2--2--2--2--2--2--2--2--|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----4-----------------|
Db|-------------6---------------6--------------------|
Ab|--4------------------------------------2----------|
Eb|--------------------------------------------------|
Rhythm Fig. 9
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----4-----------------|
Db|-------------6---------------6--------------------|
Ab|--4-----------------------------------------------|
Eb|---------------------------------------0----------|
Gb|--------------------------------------------------|
Db|--------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--2--2--2--2--2--2--2--2--|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Rhythm Fig. 10
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
< - - - - - - - - - - - - - - - - - - - - - 3x - -
Gb|-------6p-4-----4------6p-4-----------------------|
Db|-------------6---------------6--------------------|
Ab|--4-----------------------------0------2----------|
Eb|--------------------------------------------------|
- - - - - - - - - - - - - - - - - - - - - - - - >
Gb|-------6p-4-----4------6p-4-----4-------9---------|
Db|-------------6---------------6-------6------------|
Ab|--4-----------------------------------------------|
Eb|--------------------------------------------------|
Gb|-------6p-4-----4------6--------------------------|
Db|-------------6------------------------------------|
Ab|--4-----------------------------------------------|
Eb|------------------------------------9\------------|
[Rhy. Fig 1]
[Rhy. Fig 2]
[Rhy. Fig 5]
[Rhy. Fig 2]
[Rhy. Fig 5]
[Rhy. Fig 3]
[Rhy. Fig 6]
[Rhy. Fig 7]
[Rhy. Fig 8]
[Rhy. Fig 5]
[Rhy. Fig 4]
[Rhy. Fig 5]
[Rhy. Fig 3]
[Rhy. Fig 6]
[Rhy. Fig 9]
[Rhy. Fig 7]
[Rhy. Fig 10]
[Rhy. Fig 9]
[Rhy. Fig 7]
[Rhy. Fig 9] (repeat and fade)
| Bass Tabs |
|
| Title |
I Stole Your Love |
| Artist |
KISS |
| Tablature Type |
ASCII Tab |
| YouTube ID |
RHQSW9CONks |
Interactive Bass Tab Guide
Interactive bass tabs provide a better experience than ASCII tabs. With playback, loop, print features and a responsive display that follows the screen of your device.
Use these buttons to control the digital tab player.
| Symbol | Function |
|---|
| Move cursor to the first bar |
| Play interactive tabs |
| Pause playback |
| Loop |
| Print the tab |
| Zoom |
| Page | Switch between page and horizontal view mode |
How to Read Bass Tab: A Beginner's Guide
1. Understanding the Basics
a. Strings:
Bass tab consists of horizontal lines representing the strings of the bass guitar.
The lowest-pitched string (usually the E string) is at the bottom, and the highest-pitched string
(usually the G string) is at the top.
b. Numbers:
Numbers on the lines indicate which fret to play on a specific string.
For example, if you see "3" on the E string, it means you should press down the third fret on the lowest string.
2. Reading Bass Tab Example
In this tab:
- Play the note on the 1st fret of the E string.
- Play the open E string.
- Play the 3rd fret on the A string.
- Play the 1st fret on the A string.
G|-----------------|
D|-----------------|
A|---------3-------|
E|---1-1---1---3---|
3. Playing Techniques
a. Hammer-ons and Pull-offs:
Hammer-ons are represented by an "h" (e.g., 5h7 means play the 5th fret and hammer onto the 7th fret).
Pull-offs are represented by a "p" (e.g., 7p5 means play the 7th fret and pull off to the 5th fret).
b. Slides:
Slides are often indicated by an "/" or "\\" between two numbers (e.g., 5/7 means slide from the 5th fret to the 7th fret).
